Reflection, Rotation, Light Setting
By combining the acrylic and dim panels, the aspects from each material are put together.
Together they create a fragmented reflection, draw attention to the rotation and challenge the effects on their surroundings.
The light setting is now both effected by shadows and clear reflections of light
which creates a depth and hierarchy in the light.
Dim Panels
Rotation, Light Setting
The rotation emphasizes the fragmented view
The light setting inside is effected by shadows instead of light reflections.
Reflection, Rotation, Light Setting
The light setting inside the room is not only effected by reflection of daylight,
the panels also catch reflections further away from the opening.
The photo shows a reflection of the panels inside the room created by the light of a lamp three meters away from the model.
If this situation is related to my real surroundings of my window, the reflection shows inside my room could be for example my neighbor's turning on their light at night or the street lights.
This dimension creates an unexpected, deep connection between the inside and the outside which gives the panels a function as a filter.
The panels filter light from their surroundings through movement and reflection of the material.
Which light settings are shown is depending on how I open the panels and how the wind rotates them. 
The light setting inside the room changes and directs the focus on the whole room.
The relfection rotates through the room with and continues outside.
The reflection hereby draws attention to its surroundings 360 degrees.
At the same time the light setting changes through the rotation, the reflection on the panels changes.
From the inside you see a fragmented reflection of the outside when the rotation of the panels and the light meet at an angle where reflections are created.
Technical Drawings
Section, Plan, Elevation
Related to the observations and experiments of a fragmented view
With transparent panels, which I am able to turn around,
the view will become more or less fragmented,
depending on how much I turn the panels and of my position in the room.
Interaction with Wind
Looking at these diagrams, observing the wind directions and intensities through the year,
it showed me that the wind from west is dominating and the intensity is much higher in the winter months than in the summer.
To translate these into my device I connected the different aspects, I wanted my device to contain, with the wind direction and intensity:
The position of the elements
The size of the elements
The material of the elements
The position of the elements
The size of the elements
The material of the elements
Inspiring Lecture
At the lecture, Bijoy Jain described their project of a way to; "Create an architecture that is non-dependent of position and material". With this he was referring to their experimental way of connecting experiences with material that either is found at site or how the materials somehow emphasize the experiences.
Probes, Reflection & Fragmentation
Mapping the Intangible
Recently Separated
The Connection Between Outside and Inside
A Part of the Street Picture
The window glass has a huge impact on the communication between the inside of the room behind the glass and the events outside the window. Technically the transparency of the glass allows us to see what‘s inside but in different lighting the reflections in the glass can more or less be a delamination between the inside and the outside.
In particular light the mix of reflection and transperancy visually binds the inside and outside together.This meeting between inside and outside sometimes makes it difficult to tell both sides apart. The pace of the eye is faster than the body and can create the feeling of the mind being inside while the body is still standing outside.
